Artful, immersive storytelling for organisations working with communities across the globe.
Scroll to read ↓
Stories grounded in dignity and respect, created with care and craftsmanship.
Humanitarian organisations face a communications challenge.
Audiences are saturated with appeals and crisis coverage, while the people at the centre of these stories are reduced to statistics or a single image — seen briefly, then scrolled past.
Factual reporting may inform, but it rarely brings a reality close enough to be felt and understood. Countless stories go untold and are left unheard.
Crafted with care and craftsmanship, we create stories that slow people down. we combine research and impact reporting with artful, immersive design, rooted in the digital world we all inhabit, but never detached from the people and places it comes from.
Communities hold insight and lived expertise that conventional reporting rarely captures. To create connection and understanding with donors, partners, and the public, we need stories that show both impact and unresolved realities, and is respectful of a community's agency over how its story is told.
Research
We go beyond surface level reporting to creating deeper engagement with a topic, community, or region than a standard linear report or campaign page allows. The stories we create are grounded in qualitative ethnographic research as well as in artistic inquiry through (participatory) drawing.
Content
We create multi-modal pieces combining written text with drawings, soundscapes, photography and video into one experience. We aim to create a story that is rooted in the specific context it comes from, using maps and other visual data to root the story in its geography.
Design
Building a unique "container" to hold and tell that story online. We open up new possibilities by creating nonlinear pathways that let users choose how they move through the material and which perspective or topic they dive into.
Each piece is uniquely crafted.
We seek synchronicity between form, content and functionality.
We never create the same thing twice.
01
Afghanistan Joint Response
Dutch Relief Alliance
Visit Afghan communities and discover in which ways they are part of the Dutch Relief Alliance’s Joint Response.
Visit Site
02
The Backway
The Netherlands Red Cross and IFRC
Travel the route thousands take from Northern Africa and Europe back to the Gambia, and get to know the Red Cross service po
Visit Site
03
Landschap tussen Frictie en Falen
VriendenLoterij Fonds
An exploration of moments of friction and failure as essential parts of a social art practice, through five case studies who receive funding of the VLF
Visit Site04
Anticipatory Action
The Red Cross
The full arc
What we do
We are a small, tightly-knit core team that combines qualitative research, artistic practice and technology.
Together, we cover the full arc: from the first conversation in the field to the final interactive piece someone encounters on their screen.
The team
Kyra Sacks
Kyra works at the intersection of art and anthropology, leading the project’s concept design, art direction and content development. She spends as much time listening as looking — immersing herself and translating what she learns into drawings, film, audio and narrative concepts that carry the essence of a story.
Her anthropological training allows her to understand complex dynamics and earn access responsibly, ensuring the final piece reflects the community’s lived reality and fits the organisation's approach and guidelines. Kyra manages the project on both an artistic and content level.
Eveleen & Yannick
Yannick and Eveleen work in tandem to bring projects to life online, designing and building the interactive spaces that hold the stories at the heart of each production.
Working in close collaboration with Kyra, they treat the platform itself as part of the storytelling: every interaction, transition, and layout choice made as deliberately as the content it carries, so the experience feels as considered and intentional as the story itself.
Collaborators
Besides close collaboration with the organisation commissioning the story, we bring (local) staff, researchers, translators, sound designers, and other specialists into the team, depending on the project.
This to make sure each story is told accurately, and with the right voices present.
Drawing audiences closer
add: Whyy drawing
In more vulnerable contexts, drawing allows us to include voices without exposing them — making participation more accessible, and consistent with safeguarding and consent requirements throughout the production.
A community’s agency over how the story is told
Through our participatory approach, we engage community members to express their experiences, needs, and interests. Their input, alongside that of other stakeholders, shapes the content and design process, as we integrate their stories and drawings into the final piece.
“A wonderful way ofshowing the impact of our work. More importantly, it tells teh stories of the people and communities we work with, with respect and dignity. That is waht makes it so powerful.”
- Heleen van den Berg
Cordaid CEO
“Truly moving and beautiful. It becomes so tangible and adds so much emotion and layers—both literally and figuratively!”
- Natasha Erfanipour
Prospector
“The blue colour is very telling in these days when women are lashed in Afghanistan. Your beautiful work combined with strong strokes speaks louder than the texts. Wonderful work!”
- Younes Saramifar
Anthropologist
“The power of storytelling... (...) Here is a powerful story about the experience of refugees. Embrace the story and the beauty of the art-form. Listen to the voices
(it is not for the faint of heart).
- Aminata Cairo
Website visitor
Connect
Do you have a story that needs to be told differently?